The Damn Truth Canadian Juno nominee rock band was live at the Groove Bar on February 6, 2026.
The Juno Awards – is Canada’s biggest night in music, basically the Canadian equivalent to the Grammys.
The Damn Truth was nominated for the rock album of the year with their fourth self titled album. Other nominees in this category are Bryan Adams, The Beaches, The Blue Stones, grandson, Three Days Grace.
The Damn Truth recorded their latest album with legendary producer Bob Rock at Vancouver’s iconic Warehouse Studio, owned by none other than Bryan Adams. The album was tracked old-school, straight off the floor, relying on live takes with just a touch of additional work.
Before the concert, I had the pleasure of chatting with the band — not a formal interview, but a spontaneous, down-to-earth backstage conversation. While I was naturally curious about their story, especially their latest album, the discussion quickly expanded into broader topics around music. I also can’t skip mentioning just how genuinely friendly the band was.
The band’s stage presence is remarkable. From the fine details of their clothing to the tight coordination between band members, everything reflects the care they put into tailoring their live shows. The music carries a strong seventies-inspired retro appeal, embracing a what-you-see-is-what-you-hear ethos with no reliance on pre-recorded tracks. The sound doesn’t crash over you like a sonic bucket to the head, nor does it try to pin you to the floor with brute force and decibels. It reveals itself slowly, unfolding as the show progresses, growing into a continuous, immersive soundscape rather than a series of disconnected moments—more a journey than a playlist.
